Lonbraz Kann

The narrative marks the conclusion of an era. Marco, Bissoon, and their companions have dedicated their lives to a sugar factory that is now set to shut down. With sugarcane no longer being lucrative, the land will soon be transformed into opulent villas, golf courses, and recreational areas for affluent tourists, effectively barring the working class from the region. As their familiar world crumbles, some grapple with adapting to their unfamiliar new environment, while others opt to emigrate. For Bissoon, the factory’s closure brings feelings of frustration, emptiness, and a sense of neo-colonial discontent. Meanwhile, Marco becomes fascinated by Devi, the wife of the authoritarian figure in charge of the factory’s demolition. Continuing his mission to highlight Mauritius in the film industry, David Constantin weaves a tale of transition from tradition to modernity. In doing so, he reveals the reality behind the idyllic postcard image of paradise, presenting a world that is less than perfect.